BODAREVSKY NIKOLAI KORNILIEVICH

THE FINISHED BOOK

BODAREVSKY NIKOLAI KORNILIEVICH 1850-1921

 

THE FINISHED BOOK
Odessa, 1903
Signed and dated lower left: Н.Бодаревскiй Одесса 1903
oil on canvas
82 x 115 cm

 

THE PAINTING WAS EXHIBITED AT:
XXXII exhibition of The Society for Traveling Art Exhibitions in 1904 and 1905

In St. Petersburg (15/2/1904-21/4/1904), Moscow (29/4/1904-9/5/1904), Orel (15/8/1904-29/8/1904), Kharkiv (9/9/1904-3/10/1904), Ekaterinoslav (15/10/1904-31/10/1904), Odessa (18/11/1904-6/12/1904), Kiev (17/12/1904-16/1/1905), Kaluga (29/1/1905-8/2/1905).

 

EXPERTISE:

  • Elena Vladimirovna Nesterova, PhD, Art Historian, professor at the St. Petersburg Academy of Arts, Senior Researcher at the State Russian Museum (St. Petersburg), Member of the Union of Artists of the Russian Federation;
  • Nina Ivanovna Lapidus, Fine Art expert, Senior Researcher and Curator of Russian classical art at the Latvian National Museum of Art (Riga) from 1969 to 1995, Member of the Artists’ Union of Latvia.

 

In the opinion of Odessa ethnographer, Sergei Alexandrovich Sedikh, the model in the painting is the artist’s wife, Bodarevskaya Anna Arturovna (born Sheffer), the daughter of a Kiev doctor. They got married in the autumn of 1886.

 

LITERATURE:

  • International Design magazine ДОМ & ИНТЕРЬЕР (HOUSE AND INTERIOR). No.6-7 (272) 2021. Pages 80-82. EXHIBITION. WOMEN IN ART FROM THE COLLECTION FROM VLADIMIR PESHICH. Reproduced.
  • Magazine РОСКОШНЫЙ ДОМ. (LUXURY HOUSE). Architecture. Interior design. Art. No.3, December, 2018. Magazine front endpaper spread. Unique works of art „Peshich family collection“. Reproduced.

 

Artist’s professional brilliance appears especially in two ceremonial portraits of Empress Alexandra Feodorovna, full-length portrait in the interior, and her half-length portrait, which were created in 1907 in Tsarskoe Selo and made the artist even more famous. The first portrait is located in Tsarskoe Selo State Museum, and the second is in the Hermitage.

 

CONDITION REPORT:
Painting is in excellent condition. Framed in an elegant gilded frame from the 19th century.

 

Price on request.

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BODAREVSKY NIKOLAI KORNILIEVICH
1850-1921

One of the famous Russian artists of the second half of XIX and the beginning of XX century, whose work was positively evaluated by ideologist of Realism, the artist I. N. Kramskoy. Bodarevsky was a multifaceted artist, he painted historical and religious paintings, created sketches for church mosaic, worked on genre paintings, painted landscapes and became famous for painting portraits. His works stood out at the exhibitions, thus he was talked about.

He was born on 12 (24) November, 1850 in Odessa, in family of titular counsellor, who was a descendant of Moldavian hospodar Chegodar-Bodareskul. This is where the Russified surname came from. He finished Odessa drawing school. From 1869 to 1873 he studied history painting at the Imperial Academy of Arts in St. Petersburg, where he learned from T. A. Neff, P. M. Shamshin, V. P. Vereschagin. In 1873 he was awarded a small gold medal for the academic program „David plays gusli before Saul“ (Illustrated in Journal „Niva“, No. 46 1913, pg. 903 under the name „David and Saul“). In 1875 he was awarded the title of class artist of the 1st degree (formal skill level of an artist in the Russian Empire) for the program “The apostle Paul explains the tenets of faith in the presence of King Agrippa, his sister Berenice and the proconsul Festus”.

In the time following, Bodarevsky committed himself to academic painting, he painted the walls of Church of Christ the Savior in Moscow, he created sixteen cartoons which were used for making mosaics of the northern iconostasis „Mary Magdalene“ and „St. Vladimir“ and others, in the Church of the Savior on Blood in St. Petersburg. He participated in designing of the Grand Hall of Moscow Conservatory by painting 14 portraits of Russian and foreign composers, and declared himself as a portrait painter. Even in genre paintings, his characters bear portrait features.

From 1880 he exhibited his works at the exhibitions of Wanderers. From 1884 to 1918 he was a member of the Society for Traveling Art Exhibitions. During this period he exhibited 241 paintings, which is a proof of his tremendous work capacity. He exhibited his works at Moscow Society of Art Lovers exhibitions. His paintings „Wedding in Ukraine“ (1887, State Russian Museum), „Orphan“, „Girl with gusli“, „Baptism of people of Kiev“ and other, are widely known.

After graduating from the Academy, he lived mainly in Odessa and St. Petersburg, he was a member of the Society of South Russian Artists and exhibited at their exhibitions in Odessa, Kiev and other cities. He took part in exhibitions, not only in Russia, but in Paris (1889), Chicago (1893) and Rome (1913), too.

He travelled abroad – to Switzerland (1895), France (1895-1896).

Personal exhibitions: Odessa (1883), St. Petersburg (1913).

His works were always sold at the highest price. For example, in 1886, at the exhibition of Society for Traveling Art Exhibitions, the painting „Orphan“ was bought for 1200 rubles, by a well-known art collector, Tereschenko, which is twelve times more than landscapes of A. Kiselev and N. Dubovskoy were sold for.

In 1908 he was awarded the title of academician „for the fame he gained in the field of art“.

At the beginning of XX century he became so famous, that he received numerous portrait commissions, including commissions from the members of high aristocracy. They were characterized by contemporaries as complete and very alike. Respectable ladies of that time look impressive on his paintings, and as a rule they are depicted in light-colored dresses and beautiful interiors (Portraits of princess Golicina-Ostermann-Tolstoy, Mrs L. „Pleased with herself“ ). At the same time he paints portraits of well-known creative people („Portrait of the writer I. F. Vasilevsky“).  Previously mentioned paintings were exhibited in the Spring of 1906 at the 34th exhibition of the Society for Traveling Art Exhibitions in Moscow and St. Petersburg, and were printed in catalogue.

Full-length ceremonial portrait of Empress Alexandra Fedorovna in the interior, as well as her half-length portrait, which were painted in Tsarskoe Selo, in 1907, made the artist even more famous and are distinguishable by professional brilliance. The first portrait is a kept at Tsarskoe Selo State Museum and was exhibited in July of 2004 at the exhibition „The Romanov Dynasty“ in the Catherine Palace in Pushkin. The second portrait is kept at Hermitage in St.Petersburg.

In the spring of 1913, the exhibition of Bodarevsky was held in the halls of St. Petersburg Society for the Promotion of Arts; it was dedicated to the 40th anniversary of his work. Journal „Niva“ No46 printed the portraits of the artist’s wife and son („On the Seashore“), Mrs Esaulova (born princess Obolenskaya), „David and Saul“, „Friends“ – boy with a puppy. A photo of the artist was also printed, as well as short information about him.

After the events related to Revolution, Bodarevsky’s paintings were confiscated or destroyed „as a symbol of a bourgeois lifestyle“ and the owners, who fled from the country, in spite all the efforts, couldn’t find the way to bring them along. And yet, a large number of his paintings are kept in the museums in Russia and former Soviet republics: State Tretyakov Gallery, Russian Museum, Odessa Art Museum, Latvian National Museum of Art and many others.

For decades, he was considered a salon artist, despite the fact that in his genre paintings he truthfully depicted the life of ordinary people. Nowdays, the name of the artist became popular again, which is evident by the increasing interest in his paintings, as well as the prices of his work on the world market.

Information about N. K. Bodarevsky and illustrations of his paintings are printed in State Tretyakov Gallery, collection catalogue „Art of the second half of XIX century“, Moscow, 2001 (4 coloured illustrations)

  • 34th Society for Traveling Art Exhibitions exhibition catalogue in the halls of Moscow School of Painting, Sculpture and Architecture. Moscow, 1906 (9 paintings illustrated).
  • 36th Society for Traveling Art Exhibitions exhibition catalogue. 1908, and other catalogues of the Society.
  • Bibliographic dictionary „Artists of the USSR“. Published by „Искусство“ („Art“), Moscow, 1970.
  • Journal „Our heritage“, 1995, No3 (coloured illustration „Portrait of Empress Alexandra Fedorovna“).
  • Encyclopedia „Society for Traveling Art Exhibitions“ Petersburg, Orchestra, 2003 (black and white illustration).

 

The paintings of Nikolai Kornilievich Bodaresvky are the part of museum collections of:

1. The State Tretyakov Gallery, Moscow;
2. The State Russian Museum, St. Petersburg;
3. Tsarskoe selo State Russian Museum;
4. The Hermitage, St. Petersburg;
5. State Alexander Pushkin Museum, Moscow;
6. Altai State Museum of Fine Arts, Barnaul;
7. Lugansk Regional Art Museum;
8. National Art Museum of Ukraine, Kiev;
9. Odessa Art Museum;
10. Transcarpathian Regional Art Museum of Joseph Bokshay, Uzhgorod;
11. Memorial Apartment of Andrei Bely, Moscow;
12. Omsk Regional M. A. Vrubel Museum of Fine Arts;
13. National Gallery of the Komi Republic;
14. Latvian National Museum of Art, Riga;
15. Murals in the Cathedral of Christ the Savior (before the destruction of the temple), Moscow;
16. He created 16 paintings for the mosaics in the Cathedral of the Resurrection of Christ (Church of the Savior on Spilled Blood), St. Petersburg;
17. Museum complex the State Museum St. Isaac’s Cathedral, St. Petersburg;
18. 14 portraits of Russian and foreign composers for the Grand Hall of the Moscow State Conservatory, etc.

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